Margaret – Double Bay – Friday 24 January 2025 – Dinner

You could teleport from anywhere in the world and I feel experienced diners would identify they have arrived in Sydney almost instantly. There is a natural razzle-dazzle. It could be in the surrounds, the venue, the clientele, or a combination of all of them. If there is a coastal city of a similar size that utilises its vantage points, and expense account lifestyle more, I’d be interested to travel there.

Harder to instantly identify, but perhaps sensed by more experienced diners than myself, the now celebrity chef, entrepreneur, and innovator of 30 years, Neil Perry, has a feel associated with his restaurants that is not unlike his Sydney restaurant heritage. Perhaps he has opted more for the look of the venue, than the surrounds, but the clientele have always been of a high calibre.

Neil was established early enough that he never had to prove himself with Australian native ingredients, but always supported local and seasonal, without needing to voice its virtue. He has an intimate relationship with beef in particular which spawned the grill offshoot of Rockpool. Thinking back over the past almost 30 years, I have never had a meal at a Neil Perry restaurant that didn’t provide some sense of awe or grandeur, and often both in equal measures.

While Margaret is a tribute to his Mother. Perhaps the inclinations shown by Perry over many years have paid tribute to his Mum many decades into the past too. This feels like a modern day Rockpool. It is off the beaten track in Double Bay, rather than the old Rocks (and later Circular Quay backstreets) of Sydney. We caught the ferry here for an even more pleasant lead-in, on a beautifully temperate evening.

My risk to book an outside table for Catherine, Sydney, and myself, worked a treat, with a table directly to the left of the entrance, that was atmospheric and protected from the wind. We were in good hands with the floorstaff, and the sommelier was quick to act, while giving us some time to settle Sydney, which we have discovered is the most stressful part of our family fine dining experiences.

It was time to order and with a diverse, but not overly intimidating menu, we had a lot of attractive dishes to choose from. Balancing between trying diverse parts of the menu, and not over-eating (also known as being dessert ready), we ordered three dishes and a few sides to share. First up were the freshly shucked Merimbula oysters by Wheeler’s. Better matched to Catherine’s utterly delicious Lancelot-Royer Blanc de Blancs champagne, than my delightfully made Four Pillars Olive Leaf martini, the oysters fitted the brief of what you expect when dining at a top class restaurant in Sydney.

Next was the compelling Albacore Tuna sashimi dressed with avocado, nori, kombu, and brown rice vinegar. Not messing with the freshness of the tuna, the flavour combination is both classic and refined. By this dish we were drinking McLaren Vale Roussanne, and Petit Chablis, and everything was wonderful, as it often feels on a holiday, or a short break, as you make the transition from the working week.

We shared the coral trout as our main, with a side of green beans with anchovy cream. Having earlier taken a sample of Syd’s excellent chips, and addictive Baker Bleu sourdough, we were happy with our decisions. The coral trout is stunningly simple. There is a lot to be said about some perfectly cooked fish, nicely sauced, with some lightly cooked crisp vegetables.

All of this restraint now ended as we turned to dessert. Rather than narrow down the eleven sweet options, we chose four of them to share. Syd dug into the ice cream offering, demolishing it in quick time. He also assisted with the flourless chocolate cake, which was mousse-like in its lightness, and a clear winner. “Sam and Neil’s Wedding Cake” was a clear, but distant, second. The first few bites of the merengue in particular were divine, but the choice of multiple desserts probably meant the richness was a hinderance. Finally, the raspberry mille-feuille was the only weak dish of our entire meal. It was beautifully presented (although it did need to be taken back to the kitchen the first time as it fell over) and clearly fresh, but it desperately missed the sweetness it needed, and was not enticing whatsoever.

We certainly didn’t expect the perfection of a Rockpool tonight, but Margaret was measurably better than expected. Similar to many meals where I am pleasantly surprised (and talk incessantly about it) Catherine eventually told me to stop raving, so I wrote about the experience instead! Having had some great meals recently that were let down by the service, I could tell there is a fair bit to the training and experience of the floorstaff at Margaret. It wasn’t perfect, but for such a large and busy restaurant, offering a la carte instead of a tasting menu, it was certainly very impressive.

Margaret
https://margaret-group.netlify.app/venue/margaret/
30 Bay Street, Double Bay
Thursday to Sunday lunch and dinner; Wednesday dinner
info@margaretdoublebay.com
(02) 9068 8888

Parcs – Melbourne, City – Saturday 18 May 2024 – Dinner

Admitting that I’m confused about a tasting menu is not something I would ordinarily like to do. I feel I need to, as Parcs is the kind of place where what you’re eating makes sense, until you try to begin writing about it.

This is a tiny restaurant by CBD standards. I counted 22 chairs if you include the barstools, making for a warm and intimate room. Only a handful of staff is possible in such a small venue, and the concentration makes for excellent service. This is a model I really like.

The floor staff are complimented by the executive chef, Damien Neylon, who delivers around half of your courses. He’s not one to embellish but you can tell the pride and the deep consideration behind what is on your plate. The level of care extends to a wine list that is exemplary.

There is a strong and intentional theme here at Parcs. It’s new and with that comes a high degree of learning, which I believe will only make the menu stronger from this point. It is not perfect, but there are many excellent dishes, and no poor ones. The staff don’t speak about the theme of sustainability a great deal. Perhaps talking too much about sustainability would take away from the excellence in the ingredients and their treatment by the kitchen. I find the balance impressive.

An example of ingenuity comes in the form of beetroot that is treated like gravlax. There’s a familiarity in the snack though the beetroot itself is quite unique. Another highlight is sweet potato that somehow tricks the mind into thinking it is salmon. The crustacean sauce is incredibly delicious, and the accompaniments are novel, but somehow work. Those accompaniments are potato with bonito cured in juice pulp placed on top, in between lying the green leftover pulp that was used (direct from the local juice store), and some fermented potato, honey and garlic bread.

Even with the substantial amount of food there was no way I was leaving any of that potato bread, and we finished the savoury courses with beautifully cooked cockerel (young male chicken). At this stage there was equally no way I was leaving any of the substantial final course in the form of imperfect strawberries and rhubarb. The flavour packed strawberries must come into the kitchen resembling an ugly duckling, before they are marinated, and used to generously cover an oat meringue, with plenty of kefir cream thrown into the mix, along with kombucha scoby, which is the starter for turning sweetened tea into kombucha. There is a genuinely exceptional degree of experimentation here, and it rarely doesn’t deliver.

One dish that didn’t work for me, but was still enjoyable, was the tuna cured in bull kelp. It didn’t fall apart with that tenderness you often experience with high quality tuna, and the diced belly was not as flavoursome as I would expect. What did work for me was the wines we were trying. As if teasing me to try each wine by the glass, they seemed to be one-upping themselves. From a superb Aligote by Dubois Bernard et Fils, to a deeper and softer Chenin by Bobinet, followed by a Gamay by Chateau Cambon which is such an underrated varietal when well made, finishing with a Petit-Roy Pinot Noir from Burgundy. These are unashamedly fine French wines, well sourced by the restaurant, and all in keeping with the sustainability theme.

I feel like I’ve raved about Parcs. I believe it will get even better than the experience Catherine and I enjoyed. It would be great if it was just a little bit bigger for a casual wine and snack, but I think that is not the point. There is meaning and thought here, and the theme doesn’t dull the offering. In fact, the inventiveness feels like it partly relies on the limitations presented, and the intention to be completely seasonal and sustainable.

Parcs
https://parcs.com.au
198 Little Collins Street, Melbourne
Phone +61(3)99727015
info@parcs.com.au