Yiaga is full of confidence – 10 months in

Nothing is left to chance with Yiaga showing maturity beyond its age

There’s no roars, but the whispers are at a constant hum, building a buzz that compels. For types like us who love great food, and the hype of a new entrant, it’s clear that trying Yiaga is going to be very high on our todo list.

From so many people those whispers have all had one main theme. Yiaga is very difficult to book. In a literal sense it is not impossible like many say, but if you have designs on a specific date good luck. The first few times I remembered to try at 10am on the first of the month (for three months later) all of the dates I wanted were gone.

This time as I was ready. It was April Fool’s Day. Bookings for July opened and I got in. Not for my preferred date, or second preference, and I had to take half of Friday off work. But I was in! With the pedigree of the executive chef and part-owner Hugh Allen, and everything I had heard from the few people who had actually been, it was an exciting time in the lead up.

Yiaga

Modern Australian

Dinner Wed to Sat Lunch Fri and Sat
+61396913800

There’s a theme to the service. Though diverse accents can be heard pointing to global reach, the ingredient that binds is the professional ease everyone has. The training regime must be strict and disciplined as there seems nothing is left to chance. It’s great to watch and superb to be the recipient of. Then there is the thoughtful and educational tour that is sure to be a highlight for any guest.

The space is beautiful. It reminds me of dining at a pavilion in Paris. There’s vantage points through the restaurant to the gardens outside. When they notice, most passersby look into the restaurant sheepishly, wondering what is inside. It is architecturally peaceful and purposeful. The kitchen is open. It faces only a handful of the tables, which are sparingly adorned, and beautifully spaced throughout the restaurant.

With any restaurant you want the finery, and the service, but you come for the food. Coconut and macadamia come together splendidly with the addition of N25 Oscietra caviar. The coconut is used instead of soy to make tofu, and the water is used to make jelly that tops it, with macadamia oil making itself prominent against the caviar. Dry aged coral trout with crisped skin sidles up to barely cooked king prawns and Jerusalem artichoke.

Perfectly roasted and slow cooked Sambar deer (venison) are enveloped in jus, with a disc of Tasmanian heritage apple to offset the richness. Green ants cover David Blackmore wagyu over a delightful pancakey bread. A tiny salad tart taunts those who cannot make friends with leaves. Mandarin sorbet somehow tastes more mandarin than mandarins.

Course after course leaves you in delight. Pearls of celeriac under a Tilsit cheese foam, covered in black truffles from NSW producer L’Air du Wombat, have you yearning for more. In a restaurant that is well temperature controlled, the herb ice cream dominated by sea parsley and finger lime begins proceedings with a cool burst. Multiple surprises scatter the lengthy degustation menu.

The sommelier has us partially reliving our time in Canada, where many of the finer restaurants give diners a taste of the wine for each pour, showing generosity. Although the wine is not cheap by the glass, it is not unreasonable, and has many enticing options, with the majority from Australia, but plenty from Europe too. We begin with the Geelong sparkling made by Nadeson Collis for Yiaga and it is delicious though at the price point it should be.

Marsanne Roussanne from Bendigo (Place of Changing Winds), and Chenin Blanc from Margaret River (L.A.S Vino), are both gorgeous whites. The Syrahmi Heathcote Mourvedre is a highlight, and the Italian Nerello Mascalese Blend by ‘I Vigneri’ I chose instead of a dessert wine feels like a great savoury alternative. Many of the wines are sourced from the Vue De Monde cellar, Hugh Allen having learned his wares from Shannon Bennett, and at Noma, over many years.

Artful modern Australian cuisine comes in many forms. Yiaga is serving up incredibly confident dishes that feel years in the making for this ten month old restaurant. With the open kitchen, intelligent restaurant design, and the flavour combinations and techniques, there are multiple times it feels like we are at Attica, Brae, or Orana, but there is no doubt Yiaga has its own style. There is almost no pomp, but a great deal of pride. Putting aside the expense, which is not easy to do, you would love to take guests from overseas here as their big day or night out.

Like the restaurant itself, it’s not a matter of making a song and dance of the experience, but when I put it all together I am humbled to be able to dine here. What a tremendous way to spend a cold wintery Friday.

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Comforting fine dining at Barragunda Dining

Barragunda Dining

Modern Australian

113 Cape Schanck Rd Cape Schanck VIC 3939
Mon Fri–Sun 12pm–5:30pm; Sat also 6:30pm–10:30pm; Tue–Thu Closed
(03) 8644 4050

Winding along the long drive to Barragunda sets the scene for a secluded lunch experience. We have a late lunch booking. The carpark is full so we know we are not alone, but there are no people to be seen, and as we enter the second door it is almost surprising to open up into a busy restaurant.

The main bar and kitchen in the entry is the old barn, and the restaurant is an addition with a vaulted ceiling. Long glass panels give you a sense that you are almost in the beautiful native garden and backdrop of fire-touched trees on one side, and the kitchen garden to the other. The fireplace is a stunning feature, carefully placed firewood lining high on both sides. It’s extremely well thought out. A fine dining room at its best.

With all the natural materials it shouldn’t surprise anyone that this restaurant is all about sustainability, local and seasonal produce and ingredients, and the beauty of Australia. It was not long ago that there was less than a handful of genuinely “modern Australian” restaurants plying their trade. Now the best artists of this theme are pushing each other to greatness, while making new entrants welcome.

This small restaurant opened earlier this year in February, and means “thunderous roar of the sea”. Each diner is offered a tasting menu that crosses two sets of snacks, an entree, main, dessert (along with a refresher, and optional cheese course). The executive chef and farmer, Simone Watts, greets her guests hello as they arrive with a smile that shows she is in a happy place here.

As we finish our gin garden and revolver cocktails, each delicious and inventive without going too far off course, our first set of snacks arrive. The somewhat cliched, but normally delicious baby vegetables and ferments are lifted by a salty leek-top sabayon, and every last leaf and stem is gone in no time. More indulgent, a croissant sitting in honey, is topped with a cheese rind cream, and potato skin. There’s a sense of novelty, and since it is actually my first food for the day, there’s also a sense of correctness with a croissant to begin.

The next snacks turn it up a notch with a hogget kofta on a skewer, sidling up to sheep’s milk labneh; and smoked beetroot dip (kibbeh nayeh), topped with bresola made in-house. The take on the usually raw meat of the kibbeh nayeh with beetroot is tremendous, sourdough smacked with butter providing the perfect vessel to assemble the flavoursome combination. The hogget (yearling sheep) has some expected chewiness, but not in a challenging way, and the labneh dip softens the fattiness nicely.

As we wound our way through some of the wines by the glass I realised there was an apparent common theme. From our sampling it struck me that the wines must have minimal intervention in the winemaking, and perhaps are organically harvested. These are not orange wines per se, but certainly had similar characteristics. It wasn’t mentioned by the sommelier so is not something that is pushed as a theme, but given the mission of the kitchen it makes sense.

My main assessment is perhaps my palate could mature, but I did feel there were some winemaking techniques that could have improved these still delicious wines by the glass. Out of the wines between us, the Terra Vita Vinum Chenin Blanc from Anjou in France, and the Domenica Gamay from Beechworth, were favourites.

Back to the food, and there was a bit of a wait until the entree, but we were enjoying each other’s company, and the atmosphere in the room, with most tables venturing into the farm between their main and dessert. The “spent hen” with delightful spring peas and broad beans, pickled kohlrabi, and egg yolk, was worth the wait. In particular the chicken jus brought the elements together with a salty accent. There’s a lot to it, but the thought of Sunday roast chicken and gravy was hard to escape. The reference to “spent” is the fact that these previously commercial egg-laying chickens are “reclaimed” which might be a nice way to say they would otherwise be…

While we tried, there was no putting our finger on the personality of the floorstaff. While there was a range of experience shown, and different mannerisms and rhythms; in a small dining room they worked well together, and presented as people with a real interest in what the restaurant is doing. Rarely through the meal was a question not answered in some detail, and given the nature of the restaurant, there were so many points of interest I don’t think I stopped asking questions throughout service!

The food had been superb, and the Black Angus main provided yet another powerful showing. Both the rare cut, and the slower cooked osso bucco (with thickish garlic skordalia), were perfectly executed. My weakness for roasted carrots came in confit style with poppy, burnt honey, and buttermilk, and our other side of Sugar Loaf cabbage with puntarella (bitter Catalonian chicory), mint and heaps of pine nuts, was one of those sides that all of a sudden have vanished from the plate. All together it felt like a feast, giving off a very Annie Smithers vibe.

After our walk around the native and vegetable garden, we sat for our strongly flavoured coriander and celery refresher, that had a lift from the spice, and a certain addictive quality. Next we braced ourselves for a more balanced dessert, but were pleasantly surprised when the “Yesterday’s bread” turned out to be a fascinating take on bread and butter pudding, that shone from both a presentation, and flavour perspective. The toffee coating on the pudding, the use of lemon in several elements, and the creme fraiche providing a heavenly dessert.

There’s a very good reason it is difficult to get a table at this restaurant, and it is not only because it is small and only open four days of the week. You can sense the passion through the meal, and you can taste it in the creations of the kitchen. The incredible focus on the mission and vision of Barragunda is evident, and the style of dining couldn’t be more comforting.

Barragunda Dining
https://www.barragunda.com.au
Friday to Monday lunch
113 Cape Schanck Road, Cape Schanck
0386444050
info@barragunda.com.au