
Autumn Chocolate Forest – soft chocolate, hazelnut and almond, rose petal cream, blackberry sorbet, Black Genoa fig jellies, green tea, licorice, chocolate twigs, crystallised bronze fennel, native voilets
Service, especially from our sommelier, is exceptional – equal parts professional, comfortable and approachable. There is one draw back though of a very dedicated and diverse floorstaff. Some of the descriptions of the food are difficult to decipher whether by accent, noise or a combination of the two. This means that without a menu you have only a partial understanding of what you are eating. Purposely I have written this review without looking at the menu as I think that is a better way of describing my personal take on the incredible dishes we ate during the evening. However, the captions on the photos are the chef’s descriptions you receive later as you leave (unless you request earlier).
The other potential drawback with not having a menu is you are either at the mercy of the matched tastings (which we rarely do) or the sommelier. Luckily we all worked together, Catherine and I suggesting what we would like to drink, and our sommelier confirming which styles would suit multiple courses during the evening. She was spot on.
After our Melbourne Gin Company and tonic aperitif, we started with a glass of the Thalassitis Assyrtiko from Santorini by Gaia. It was indeed versatile with light fruit and great balance, something which was needed with our four snacks to begin. Those snacks included some delightful minced kingfish surrounded by a crispy seaweed (which turned out to be tatami iwashi – a dried flat sheet of sardine), that was a strong accompaniment. There was a leaf above a prawn cracker like wafer with a version of seafood sauce atop. It was a nice beginning.
Next we had a glorious folded piece of tuna, with some dollops of egg yolk and a puree that tasted like creamy artichoke. When you cut into the tuna out splashed some soy sauce, not unlike what happened to my wallet a little later at the end of a great meal.
Our next course was a more substantial parcel of generously portioned spanner crab, which was probably the highlight of my savoury courses, but not by any great margin given the excellence shown by the kitchen. The presentation included some dusting at the table which struck the thin vegetable layer topping the crab with a cool punch, providing contrast and interest between hot and cold, soft gorgeous crab, and the slightly firmer vegetable (which was actually heirloom tomato).
We had what looked like a small piece of fish served with a broth in a little bowl, but turned out to be densely packed and huge on flavour, the portion just right given the richness. The dashi was addictive and I almost finished the last drop. The fish was firm, but delicate, with a pronounced flavour, reminiscent of cod. Some of the vegetable additions in the broth didn’t add to the flavour, but did create some textural balance. By now we were on to a superb chardonnay by Benjamin Laroux from Bourgogne and it delivered an exceptional match, but was expensive.
One of the dishes I found a little weaker, but still of a high standard anywhere else, was the torn lamb. One of my pieces was a little chewy, and while the flavour was actually quite intense, the accompaniments just didn’t work for me as well as the other dishes. The second meat dish however ticked all the boxes. Wagyu needs skilled cooking and it received it. The pine mushroom and cream also intensely flavoured, but pairing perfectly. With these courses I tried a wine called Meandro from the Douro in Portugal that had a good lick of alcohol, leading to some slightly jammy fruit on the palate. Catherine went with the Nero d’Avola and I was a little jealous, the savouriness exhibited perfect for finely tuned wagyu.
We love dessert, and it appears the team behind Sepia do too. You could hardly call either of our two pre-desserts inferior to the main dessert, in fact, we both were left wondering how it could get any better. The first was a version of strawberries and cream, using alpine strawberries. Just amazing. Then Catherine’s favourite of Sepia’s version of chiffon cake arrived, and as well as being beautifully presented, it was divine.
For the main dessert we had a choice and we both chose differently to get a taste of each offering. Catherine had the “apple”, and I had the “chocolate”. It was a bit of trickery, with the apple coming out in a half shell of chocolate, with apple ice cream topped by a medley of tastes and textures. Mine came out looking like a pear in the woods, but was actually a quenelle of chocolate, on a bed of dried fruits, crumbs, and more chocolate. It is a signature dish, and for obvious reason. There is a confidence exuded from the presentation, and the incredible technique used to execute the flavours and textures cannot be easily expressed in words.
As I sipped the last few drops from my ten year old Madeira by Henriques and Henriques it became quite apparent that this was one of the top meals I’ve enjoyed in my lifetime. While the memory is obviously vivid, I expect on further reflection in coming months and years that this should easily make my top 10 experiences. Not to mention it is moving to Melbourne, just like I did almost ten years ago. While loving where it has come from, I’m sure it too, will never look back.













