Sepia – Sydney – Friday 31 March 2017 – Dinner

Autumn Chocolate Forest – soft chocolate, hazelnut and almond, rose petal cream, blackberry sorbet, Black Genoa fig jellies, green tea, licorice, chocolate twigs, crystallised bronze fennel, native voilets

The full circle. One thing is constant though, I have always wanted to dine here. Originally when it opened it was above the Sydney office of the accounting firm I was working for, and I wasn’t sure the feeling I would have dining below work. Last year I heard rumours it was to close, and I wasn’t sure it would be on its A game.

Green tea, tarragon, yuzu “chiffon”

This year I was more than enticed and booked early, as you need to do. We were staying a block away, and it just made sense. Earlier in the day of the encounter I heard that it was to open in Melbourne, and not long after we finished our meal, I realised that the restaurant was actually closing in December and moving to Melbourne!

Snacks from left – Tempura Oba Leaf; Hiramasa Kingfish; Saikou (best) Salmon; Bonito and purple yam

I’m ecstatic for two reasons. I live in Melbourne, and there is something special about this experience that is bigger than the city it resides in. Sepia is a big night out, a special occasion, a celebration, and an event in itself. It has built an envied reputation for a very good reason.

Somehow, on a non-descript, almost ugly corner of the Sydney CBD, the inside of the restaurant and wine bar, is a world away. It is dark and sexy, open yet intimate, with some fine dining features, and bistro style flourishes. The banquettes are comfortable, and the dark wooded tables nice and large, giving an air of luxury.

Service, especially from our sommelier, is exceptional – equal parts professional, comfortable and approachable. There is one draw back though of a very dedicated and diverse floorstaff. Some of the descriptions of the food are difficult to decipher whether by accent, noise or a combination of the two. This means that without a menu you have only a partial understanding of what you are eating. Purposely I have written this review without looking at the menu as I think that is a better way of describing my personal take on the incredible dishes we ate during the evening. However, the captions on the photos are the chef’s descriptions you receive later as you leave (unless you request earlier).

The other potential drawback with not having a menu is you are either at the mercy of the matched tastings (which we rarely do) or the sommelier. Luckily we all worked together, Catherine and I suggesting what we would like to drink, and our sommelier confirming which styles would suit multiple courses during the evening. She was spot on.

Tuna, egg yolk, fromage blanc, unpasteurised soy sauce, wasabi

After our Melbourne Gin Company and tonic aperitif, we started with a glass of the Thalassitis Assyrtiko from Santorini by Gaia. It was indeed versatile with light fruit and great balance, something which was needed with our four snacks to begin. Those snacks included some delightful minced kingfish surrounded by a crispy seaweed (which turned out to be tatami iwashi – a dried flat sheet of sardine), that was a strong accompaniment. There was a leaf above a prawn cracker like wafer with a version of seafood sauce atop. It was a nice beginning.

Next we had a glorious folded piece of tuna, with some dollops of egg yolk and a puree that tasted like creamy artichoke. When you cut into the tuna out splashed some soy sauce, not unlike what happened to my wallet a little later at the end of a great meal.

Spanner crab, heirloom tomato, brown butter emulsion, sake vinegar jelly, pea and horseradish

Our next course was a more substantial parcel of generously portioned spanner crab, which was probably the highlight of my savoury courses, but not by any great margin given the excellence shown by the kitchen. The presentation included some dusting at the table which struck the thin vegetable layer topping the crab with a cool punch, providing contrast and interest between hot and cold, soft gorgeous crab, and the slightly firmer vegetable (which was actually heirloom tomato).

Butter poached black cod, pink and white turnips, finger lime, ice plant, smoked soy dashi

We had what looked like a small piece of fish served with a broth in a little bowl, but turned out to be densely packed and huge on flavour, the portion just right given the richness. The dashi was addictive and I almost finished the last drop. The fish was firm, but delicate, with a pronounced flavour, reminiscent of cod. Some of the vegetable additions in the broth didn’t add to the flavour, but did create some textural balance. By now we were on to a superb chardonnay by Benjamin Laroux from Bourgogne and it delivered an exceptional match, but was expensive.

Chargrilled lamb breast, roasted garlic emulsion, Mexican sour cucumbers, sweet bamboo, daikon

One of the dishes I found a little weaker, but still of a high standard anywhere else, was the torn lamb. One of my pieces was a little chewy, and while the flavour was actually quite intense, the accompaniments just didn’t work for me as well as the other dishes. The second meat dish however ticked all the boxes. Wagyu needs skilled cooking and it received it. The pine mushroom and cream also intensely flavoured, but pairing perfectly. With these courses I tried a wine called Meandro from the Douro in Portugal that had a good lick of alcohol, leading to some slightly jammy fruit on the palate. Catherine went with the Nero d’Avola and I was a little jealous, the savouriness exhibited perfect for finely tuned wagyu.

David Blackmore wagyu sirloin, pine mushroom, kombu, mushroom cream, grilled baby kale leaf

We love dessert, and it appears the team behind Sepia do too. You could hardly call either of our two pre-desserts inferior to the main dessert, in fact, we both were left wondering how it could get any better. The first was a version of strawberries and cream, using alpine strawberries. Just amazing. Then Catherine’s favourite of Sepia’s version of chiffon cake arrived, and as well as being beautifully presented, it was divine.

Alpine strawberries, salted white chocolate chantilly, frozen strawberry and yoghurt

For the main dessert we had a choice and we both chose differently to get a taste of each offering. Catherine had the “apple”, and I had the “chocolate”. It was a bit of trickery, with the apple coming out in a half shell of chocolate, with apple ice cream topped by a medley of tastes and textures. Mine came out looking like a pear in the woods, but was actually a quenelle of chocolate, on a bed of dried fruits, crumbs, and more chocolate. It is a signature dish, and for obvious reason. There is a confidence exuded from the presentation, and the incredible technique used to execute the flavours and textures cannot be easily expressed in words.

Chocolate, caramelised apple cream, artichoke, blackcurrant, cocoa nib, pecan brittle

As I sipped the last few drops from my ten year old Madeira by Henriques and Henriques it became quite apparent that this was one of the top meals I’ve enjoyed in my lifetime. While the memory is obviously vivid, I expect on further reflection in coming months and years that this should easily make my top 10 experiences. Not to mention it is moving to Melbourne, just like I did almost ten years ago. While loving where it has come from, I’m sure it too, will never look back.

Sepia Menu, Reviews, Photos, Location and Info - Zomato

Impressions of the 2015 guides – The Age Good Food Guide and the Australian Gourmet Traveller Restaurant Guide

I am excited. I have been excited for some time having booked at Brae close to five months ago. But now I am heading to The Age Good Food Guide restaurant of the year and on the first Saturday after it has been crowned!

Momofuku's xo, diakon, tripe

Momofuku’s xo, diakon, tripe

It’s a bit of good luck and good planning. There is a lot of ill feeling towards food guides in general, but they are all too often misunderstood. Basically, it gives the publisher a once-a-year opportunity for their publication to be more broadly and generically publicised. It is great for the restaurants who get awards and/or acclaim (hats in the GFG and stars for AGT) and it does help grow their business and the industry, but they completely understand that you need a bit of good luck on top of great execution and a special difference to get an award. It is not scientific, and it is extremely subjective. Like so many artistic awards, if you are towards the top of the tree, you are successful in your own right, and the recognition is a little bit of cream, rather than the objective.

Lake House's Moreton Bay bug ravioli, kim chi, dashi

Lake House’s Moreton Bay bug ravioli, kim chi, dashi

There are thousands of restaurants. To all of those who say guides are irrelevant, I say if you can get a hat or a star, then you are worth trying out. There is no possible way any one person can attempt to try every restaurant in a city (let alone Australia) in the space of a year, so consistency is impossible. However, if several experienced diners have been to the same restaurant, and all have enjoyed their experience and rate the restaurant close to the top of their list, then that is compelling to me. Taking that into account is more important than arguing why one restaurant in the Australian Gourmet Traveller Top 100 is higher than another; as this is not going to bear any fruit whatsoever.

Supernormal's New England lobster Roll

Supernormal’s New England lobster Roll

For any time starved person, whether it be work or family or other pursuits, using a guide is a savvy way to have more positive than negative experiences in restaurants. While guides like AGT are like my bible, it is not a blind following. There are restaurants that are going to be more suitable, more comfortable, more confronting, and more expensive, than the next. You still need to be picky, and match the destination with the company,and with the occasion. That being said, I have rarely been to two and three hatted/starred restaurants and had a mediocre experience.

Cutler & Co's heirloom tomato salad, smoked buffalo ricotta, filo pastry

Cutler & Co’s heirloom tomato salad, smoked buffalo ricotta, filo pastry

I’m pleased the GFG chose Supernormal, which I reviewed recently, as the new restaurant of the year. I love Andrew McConnell’s diversity and the child of Golden Fields is a fantastic place to dine. I’m also pleased that Attica won the AGT restaurant of the year which has been dominated by Sydney over the past decade. I can understand why Rockpool, Momofuku Seiobo (see my recent review), and Quay round out the top four and hopefully my experience at Brae this weekend will measure up to its award as AGT regional restaurant of the year, and fifth in Australia. It is fantastic to see Cutler & Co also make the top ten in seventh (see my recent review). With Attica, Flower Drum, Vue de Monde, and Brae all receiving three hats in the Victorian GFG there is mainly consistency with AGT.

Momofuku's almond, peach, thyme

Momofuku’s almond, peach, thyme

If you were to dine out at restaurants like these every day you would be quickly going broke. We need some diversity in our dining experiences and a quick look at the AGT Top 100 and the hatted restaurants in the GFG provide an excellent array of styles and cuisines. There is traditional and contemporary, expensive and reasonable, formal and informal, institutional and new. It’s exciting seeing the number of restaurants breaking new ground all around Australia and around Victoria.

The growth of the restaurant industry must present a daunting task for the various judges of these guides. The reward for the publisher comes in being able to promote to a broad audience the places that are worth some effort to try, whether it be to get a booking, to drive or fly, or simply wait in line. I applaud those who contribute to these guides, and look forward to ongoing debates about the relevance and accuracy of the guides.